
Ashes Of Time (1994)
by Cheng Zishuang

Regret. Longing for love. Loneliness. Pain of loss. The central themes commonly found in a Wong Kar Wai Film and they are on full display here in this story which is supposed to be somewhat of a prequel to “Legends of the Condor Heroes”. In addition to his usual central themes, WKW deals with the subject of memories. Memories being the root of all our pain and suffering.
Set in a desert back in ancient China, Ashes of Time tells the story of three out of five of the five leading pugilists in the Louis Chia novel “Legend of the Condor Heroes”. For those unfamiliar with his work, Louis Chia is one of the most popular authors of the wuxia genre. For those expecting a classic Chinese martial arts movie with clashing swords and people flying through the skies and delivering projectiles, this movie is not for you. This should not be classified under the action/wuxia genre but the art film/drama.
Probably the most stellar cast ever assembled for a movie in the Hong Kong industry, this movie has the late Leslie Cheung in the lead with both Tony Leungs, Maggie Cheung, Charlie Young, Carina Lau,Brigitte Lin and Jacky Cheung. Each one of them turn in brilliant performances, but what most people would not expect, Tony Leung Chiu Wai was not the star of stars. Arguably, Leslie Cheung was. Playing the charming yet ruthless Ouyang Feng, he manages to give us a glimpse of the pain and inner turmoil which plagues this character. This has led to some western audiences and media touting him as the Asian James Dean, although arguably, Leslie had a much longer and fuller body of work before his early demise. But for me, Maggie Cheung was the one who shone the brightest in what could not be more than ten to fifteen minutes of screen time. In just one scene, she portrays a woman who is clearly broken, filled with regret, desperation and sorrow. She expresses this when you hear her voice of anguish, when she’s staring out of the window in a daze, you know she wishes she could turn back the hands of time and erase the foolishness of youth and through her tears, you see how she knows it’s simply not possible and that eats at her every single day of her life.

As WKW’s long-time collaborator, Christopher Doyle distinguishes himself as one of the best in the business as director of photography. Due to the complex plot and characters in the film, one might not like the film on first viewing and might even find it incoherent. But Doyle’s stunning visuals of the changing landscapes of the desert, crafty voyeuristic camera shots and creative usage of lighting makes the film totally unlike a Chinese painting which is based on simple brush strokes and subtle colours but more of a Picasso, bold, disjointed and is either perceived as either marvelous or utter pretentious rubbish, nothing in between. There is a particular scene which I find visually brilliant. It’s when Leslie Cheung is negotiating a contract with the androgynous Brigitte Lin, who’s character clearly suffers from a multiple personality disorder, taking on the personalities of the daughter of the Murong clan who’s obsessively in love with Huang Yao-shi and her over protective elder brother. The scenes with their many dialogues, (between alternating personalities) has a light shining in to the room through a spinning bird cage which reflects golden light and shadows on the two or shall I say three characters, forming spinning shadows of the bird cage amongst golden light which provides a very ambiguous mood to a very ambiguous scene.
The film scoring for this film is amongst one of my favourite WKW’s (along with In the mood for love and Chungking Express). WKW claims that it didn’t fit his original vision as much as the redux edition, hence, YoYo Ma taking over the musical helm. I haven’t heard it yet, as for some reason it hasn’t been available in Asia. But the film score for this version was just brilliant for me.
Although I absolutely loved the film for all the above reasons, I must admit that a lot of people won’t, as it is an art house film and due to that very nature, it attracts a rather niche audience. After all, it did tank pretty badly at the box office back then. But if you’re a serious about film, I highly recommend this film and that you have multiple viewings as you wouldn’t be able to catch certain intricacies and besides, you do discover something new each time you watch it, be it a certain theme or camera shot. As for the casual film watcher, I still recommend you watch it as long as you like beautiful visuals and are able to enjoy films with a relative slower pace as compared to today’s film world of instant gratification.
4 out of 5 burning cigarettes.
Superior acting, direction,cinematography, storyline. But not for all.
Link to film (Cantonese with dual English and Chinese sub-titles) :
http://www.youtube.com/watch?v=FxKv0Mu72r4&feature=related






Shaking Tokyo was directed by Leos Carax… or Joon-ho Bong… either one of them… This final short story was the redeemer of the whole movie since Merde was really boring and bad. The story revolves around the life of a Hikikomori, someone who withdraws himself from the entire world except for regular phone calls to order things. Its a sweet love story that I would strongly recommend this story to everyone. I wouldn’t spoil this for anyone so….
For anyone expecting this to be anything like it’s predecessor, Casino Royale, don’t. Casino Royale was a film that explored the character and took time to develop a plot. Quantum of Solace is an action packed popcorn flick with hot chicks and flying bullets, not that it’s a bad thing, but it’s all about expectations.
James Bond was written as abit of a chauvinist but revealed his soft spot once in awhile with a special woman, that was believable with Vesper in Casino Royale, but I didn’t quite agree so with Camille in Quantum of Solace, or did the film makers ever intend for that to be so. I must say, Craig plays the part of a man who gets the job done no matter what, extremely well. The part whereby he is supposed to be this suave womaniser ? Not really…. his scenes with the two lead actresses come off as very unnatural and not very charming to say the least. To compare him to Sean Connery would be very unfair of course, but since he took on the role, he would have to expect this coming. Here’s a quick 29s look at the original Bond:
In this installation we have Olga Kurylenko, Ukrainian born actress who plays a Bolivian Spy, Camille, who like Bond, is out for vengeance and Gemma Arterton who plays Agent Strawberry Fields (Beatles tribute?).
Now what’s a Bond film without the wardrobe ? This time, Tom Ford has taken over from Brioni and has produced some pretty beautiful outfits for Bond. The British tailoring industry has taken this as a slap in the face as Bond would be wearing American clothing, although I’m not sure why there wasn’t such an outrage as to when Bond wore Italian.
The album that was 17 years in the making is finally going to be released in stores on the 23rd of November 2008.Like many of you, I was pretty much convinced that the chances of the album going to materialise was as much as China becoming a democracy. To quote the band’s managers Irving Azoff and Andy Gould, “The release of ‘Chinese Democracy’ marks a historic moment in rock ’n’ roll,”.
Each chapter not only shows how vulnerable he can be but how invincible he can be as a character. How often can you get a chance to see Batman bleed ever so often in one single story. The stories and the angles are dark and interesting. How he learnt to be the man he is born to be or how he became the man he is now.
I do have a few problems with the DVD though. I didn’t like how Bruce Wayne was made out to be your typical anime guy. Long Shiny Hair? Glassy Eyes? That Boyish look? (Ref. to ‘Field Test’). How about Kevin Conroy for the voice of Batman? It totally didn’t fit most of the animations.